Full Preview: We kick things off by diving right in to discussion on Beyond Best Evidence, as Paul talks about the 2 month fundraising campaign we have organized and reflects on the process and how things have gone so far. Paul also responds to some specific critics and criticisms of the campaign by explaining more about the origins of the 'crowd sourcing' concept for the film. He then addresses the future of the film, considering the tepid response to the fundraising campaign. Wrapping up the focus on Beyond Best Evidence, Paul then talks about the thematic goals of the film and why it stands apart from the standard cable TV UFO fare.
The conversation then leads to discussion on UFO research, in general, and Paul talks about the 'underground war' between 'Michael Bay Ufology' and the people who are looking at the phenomenon from a different angle. This leads to Paul talking about the paradox and challenges of UFO disclosure that he believes are being ignored by most Ufologists. We then ponder the idea that perhaps the human race, and America in particular, was actually better equipped to deal with the UFO phenomenon back when the modern era started in the late 1940's and 50's. We also examine the issue of Ufology's malaise of recent years and Paul talks about what sort of aspects of the field still excite him.
We then get ultra meta on Ufology and the paranormal by discussing the problems surrounding specialization, trying to understand the unknown, and attempts to win over the mainstream, whether it is science or public interest. Paul then talks about how examining the issue of a non-human intelligence could lead us towards becoming an 'empathic society.' Paul then talks about how people who don't vote don't have a right to complain and draws comparisons from that perspective to the paranormal community, at large.
This leads to some discussion on how some laypeople in the paranormal expect researchers and members of the media to sacrifice their time and money for the 'higher calling' of chasing these mysteries. Going down a different path, we get Paul's take on 2012 and the hype leading up to the big day. Paul ends up discussing Peter Gersten's 2012 suicide plan and the backlash against it from the UFO community. He also talks about how 2012 could allow for personal growth for many people, regardless of what actually happens. In turn, we also examine the question of whether or not the vast majority of people, nowadays, are even capable of that kind of introspection.
Paul also talks about the paradox of perceived power and how the influence of people who create ideas and concepts often outlives the contributions of their contemporaries who wield political power. Given that Paul says this is his last interview regarding Beyond Best Evidence and that BBE will be his last UFO film, we ask the natural question of whether or not this means he is leaving the paranormal behind for good or if he has other plans.
Heading toward the close of the conversation, we break the 4th wall and address the interview, where Paul seemed to talk much more than Binnall, and discuss podcasting, in general. We also talk about where Beyond Best Evidence goes from here, now that the fundraising stage of the project is coming to a close. Wrapping things up, we find out how people can donate to help Beyond Best Evidence get made and things then break down as we talk about BoA:Audio dropping our 'popular' theme music intros as well as the BoA thongs we used to sell when the website first started.
"I can't understand why people are frightened of new ideas. I'm frightened of the old ones." - John Cage
At a hearing of the Senate Finance Committee about oil subsidies, John Watson, C.E.O. of Chevron — which reported last month that first-quarter net income rose 36 percent from the same period last year to $6.21 billion — said that “I don’t think American people want shared sacrifice. I think they want shared prosperity.” The problem is, Mr. Money Bags, that you and other corporate interests are the only ones sharing in the prosperity. For Americans on the lower end of the income spectrum, it’s all sacrifice.
The Grey Wall is a supernatural love story about two people who have to find their way out of the purgatory they have created for themselves.
On the surface, Sarah and Sam seem like the perfect young couple. But when Sarah gets her big break as an aspiring actress and begins to spend less time with Sam, he begins to wonder whether he’s good enough for her, particularly as he’s stuck in a dead-end job at a collection agency. Events develop which lead Sarah and Sam into a maelstrom of betrayal and mistrust.
Things take a supernatural turn with the appearance of Lawrence and Lorelei, two supporting characters in Sarah’s play who reveal themselves to be much more than they appear. The world that Sarah and Sam believe to be real is turned upside down, and everything they thought they knew about their lives, and each other, comes unraveled, as the evil Lorelei uses her mysterious powers to set them against each other. Meanwhile, Lawrence offers cryptic advice and help, but refuses to become directly involved for his own reasons.
Ultimately, Sarah and Sam arrive at a moment of truth, where they’ll have to look beyond the “grey wall” of the anger and hurt that they have built between themselves, to once again believe in each other and their love in order to find their way “home”.
If they don’t, Lorelei and an eternal darkness are waiting for them…
