Synchronicity with Silas Newton

From the Pittsburgh Press, 1 August 1930... synchronistic proof that I was fated to make a documentary about Newton's Aztec hoax, two decades before he perpetrated it and almost four decades before I was born!

Paul Kimball

Synchronicity

Long before my recent Los Angeles run of what Walter Bosley called "synchronicities", I actually made a performance film for Bravo here in Canada called - you guessed it - Synchronicity. This film featured pianist Heather Schmidt and cellist Shauna Rolston, talking about their friendship and creative collaboration, and performing music written by Schmidt, including a piece I specifically commissioned for the film titled - you guessed it again - "Synchronicity".

In the context of the paranormal, and the possibility of interaction with an advanced non-human intelligence, I think Shauna's comments about communication, and the relationship between the composer and the musician as interpreter, are particularly interesting.

Heather and Shauna also talk about how they "fit together". I always wonder whether these kinds of things are just coincidences, or whether there might be something more at work. Do we just get lucky when we meet people with whom we have a connection, or do we meet these people for a reason? Perhaps, if you give any credence to the idea of reincarnation, we travel through our "lives" linked to the same group of people, each of us fulfilling a different role in the next life (my dad, for example, might be my son or daughter in the next life, or my best pal). Maybe that's why, when you first meet someone and feel like you've known them your whole life, you have - just not this "life", but one before... or, if you see time not as a linear construct but more of a circle, then perhaps a "life" still to come.

That would be the ultimate synchronicity.

Paul Kimball