A nice television news piece from the NBC affiliate in Kansas City about the late Mac Tonnies, and the idea of a "digital afterlife". You can read the accompanying article by Christina Medina here.
Paul Kimball
I found myself wondering, oddly enough, about what Mac Tonnies’s take might be. The last of his friends to whom I spoke was Paul Kimball, a filmmaker who lives in Nova Scotia. He met Tonnies online about a decade ago; they corresponded for six years before meeting in person, when Kimball came to Kansas City to interview Tonnies for a documentary. They ended up becoming close, even collaborating on a play (swapping drafts via e-mail) that was staged at the Boulder International Fringe Festival.The Boulder theatrical version of Doing Time can be accessed in this post, wherein I offer some thoughts about the play, and the process of creating it. Alas, Mac passed away before we finished the screenplay that we were working on, but I've finished it based on our early drafts, and it looks promising to shoot in 2011.
Among their shared interests, it turns out, was the relationship among technology, consciousness and mortality. Their play, based on a science-fiction story Tonnies had written in college, involves two women who turn out not to be, strictly speaking, creatures of organic matter: one is an artificial-intelligence program, the other a human consciousness uploaded into a form that could survive a centuries-long space journey. The very title of Tonnies’s Posthuman Blues blog, Kimball points out, hints at ambivalence about these subjects. But that was the place, he says, where his generally private friend “revealed himself,” post by post. The fact that the blog persists, in public, is what makes it distinct from, say, a journal Kimball owns that belonged to his grandfather and that has been read by perhaps 20 people.
The day before we spoke, Kimball continued, he had linked to an old Posthuman Blues post on his Facebook page, seeking reactions from his own online circle. “So I’m still having this conversation” with his friend Tonnies, he told me, “even though he’s been dead for more than a year.” Eventually, Kimball added, such situations may be routine. “We’re entering a world where we can all leave as much of a legacy as George Bush or Bill Clinton. Maybe that’s the ultimate democratization,” he said. “It gives all of us a chance at immortality.”
After talking to Kimball, I ended up watching a couple of interview clips of Tonnies on YouTube. In one, he discussed “transhumanism,” the techno-scientific quest to transcend the traditional limits of the human animal, death included, whether through merging with machines or fiddling with our genes. Skeptics or opponents of transhumanism are missing the point that it’s well underway, he argued: medicine is transhuman, in that it thwarts mortality. While I didn’t find this wholly convincing, I will concede that it was interesting to find myself in a position to listen to his arguments at all. It made me wish I could offer Tonnies my counterpoints — but of course I can’t. So I’ll give him the last word. “I like to think of death as a glorified terminal illness,” Mac Tonnies said, and will continue to say, for as long as this particular collection of bits remains available for someone to watch and listen to. “If we can escape the boundaries of death, maybe we’ll be O.K.”